Heartbreaker” that “kicks down the door of this next musical chapter” (American Songwriter) and the title track, “Honkytonk Hollywood.” 2 LP set on forest green color vinyl. Limited Edition. Available at Indie Retailers.

Caylee Hammack will release her 2nd full length album that will feature 13 new tracks including the already released songs- “The Hill” & “Breaking Dishes”. She co-wrote all the songs on the new album and has been featured on several tracks with other artists including- Ashley McBride, Miranda Lambert, and others. She has been nominated for the ACM-New Female Artist of the Year.

Mumford & Sons are back with their 5th studio album Rushmere, produced by Dave Cobb (Brandi Carlile, Jason Isbell, Sturgill Simpson). The 10 track album is a triumphant return to form, with upbeat foot-stompers Rushmere, Truth, & Caroline alongside tender ballads such as Monochrome & Where It Belongs. Available on 12" vinyl, CD & cassette via Glassnote Music.

Grammy Award-winning singer/songwriter Jason Isbell is one of the most respected and celebrated artists of his generation. The North Alabama native possesses an incredible penchant for identifying and articulating some of the deepest, yet simplest, human emotions, and turning them into beautiful poetry through song. Isbell sings of the everyday human condition with thoughtful, heartfelt, and sometimes brutal honesty. After releasing multiple albums and touring the world with his band, the 400 Unit, Isbell will begin 2025 with a change of pace. He will hit the road on his own, performing solo this winter and early spring at historic music venues across Europe and the US. In conjunction with these much anticipated shows, Isbell will be releasing a new album featuring only his voice and an acoustic guitar, an all-mahogany 1940 Martin 0-17. These recordings further demonstrate his pure talent as a songwriter and musician. Produced by Gena Johnson and Jason Isbell, and recorded at Electric Lady Studios in NYC, ‘Foxes in the Snow’ is set to be released on March 7th.

Because of their mix of hellified gangster shit and progressive compositions, I once jokingly called Clipping "Deathrow Tull." Well, it's not a joke anymore. While Clipping's last few projects have been record-long concepts like classic prog rock, their cyberpunk-infused new album Dead Channel Sky is mixtape-like, a carefully curated collection in which every track is a love letter to a possible present. It sounds crisp and classic at the same time. When something strikes us as retrospective and futuristic at the same time, it's a reminder of how slipshod our present moment truly is. Juxtaposing high-tech, corporate command-and-control systems (the "cyber") with the lo-fi, D.I.Y. underground (the "punk"), cyberpunk proper starts in 1982 and ends in 1999, from Blade Runner to The Matrix. Concurrently, hip-hop matured, went through it's Golden Era, then melted into further forms: it went from from Fab 5 Freddy to Public Enemy to Missy Elliott. While other genres flirted with it, hip-hop was fickle and fey. Rap and rock birthed mutant offspring maligned by most, and hip-hop's relations with electronica rarely fared any better.What if someone explicitly merged hip-hop and cyberpunk - those twin suns of the '80s and '90s - into one set and sound? After all, both movements are the result of hacking the haunted leftovers of a war-torn culture that's long since moved on.On Dead Channel Sky, Clipping texture-map the twin histories of hip-hop and cyberpunk onto an alternate present where Rammellzee and Bambaataa are the superheroes of old; where Cybotron and Mantronix are the reigning legends; where Egyptian Lover and Freestyle are debated endlessly, and Ultramag and Public Enemy are the undeniable forefathers; where the lost movements of 1980s and the 1990s are still happening: rave, trip-hop, hip-house, acid house, drum & bass, big beat-the detritus of a different timeline, the survivors of armed audio warfare. Clipping are no strangers to sci-fi: two of their records were nominated for Hugo Awards (one of science fiction's top literary prizes), and a novella spun-off from their music was nominated for a third. On Dead Channel Sky, Clipping's co-conspirators include everyone from the guitarist Nels Cline, to their labelmates Cartel Madras, rapper/actor Tia Nomore, and wordsmith Aesop Rock. Diggs is known for intricate lyrics and rapid-fire rapping, and the tracks that Snipes and Hutson build in the background are no less complex. All of the above serves to give us a glimpse of an adjacent possible present, where hip-hop and cyberpunk are one culture.Binary stars are often perceived as one object when viewed with the naked eye. Like those twin sun systems, it'll take some special equipment and some discerning attention to pull the stars apart on this record. As Diggs barks on the fire-starting "Change the Channel": Everything is very important!

For more than 25 years, My Morning Jacket have achieved an incredibly rare feat in rock & roll, upholding a long established cultural legacy while sustaining the curiosity and creative hunger of their earliest days. For their 10th studio album, the band teamed up with GRAMMY Award-winning producer Brendan O’Brien (Springsteen, Pearl Jam) for what may be their most masterfully realized work yet, once again expanding the limits of their sound while elevating their artistry to unprecedented heights. Available on "Blue Iceberg" color vinyl with custom inner sleeve and 4-page insert. Limited Edition. Indie Exclusive.

Billboard Heart, the new album by Deep Sea Diver, immediately puts the Seattle band in the company of St. Vincent, TV on the Radio, and Flock of Dimes, bands that have found newly ornate and magnetic ways to make indie rock by discarding notions of how it must sound or what it must say. It's their fourth album and first for Sub Pop, and it is a coup, a triumph over self-doubt, transforming failure into an opportunity to find new freedom, belief, and strength. In the middle of July 2023 in a Los Angeles studio, Deep Sea Diver mastermind Jessica Dobson took a guitar solo but somehow felt nothing. Just days earlier, her Seattle band played a series of semi-secret shows for devotees as de facto rehearsals for a new record. The sets had gone well, but the new songs seemed muddled, Dobson's conviction lost somewhere in the 1,000 miles between Southern California and the home studio she shares with partner, drummer, and frequent cowriter Peter Mansen. On that first night in Los Angeles, she broke down, wondering what she was doing there, and pondering how to fix it. Deep Sea Diver retreated home without an album. Did they need to scrap it, to begin again with new material? Not at all: Following a brief break, Dobson found a renewed sense of self, a trust in her vision for her band and songs and her ability to capture them. Over dinner with longtime collaborator Andy Park, a humbling confession that she needed help inspired Dobson to reimagine and reinvigorate Deep Sea Diver. This revelation set the stage for the power and brilliance of Billboard Heart, Three years before Dobson's galvanizing dinner with Park, Deep Sea Diver issued it's third album, 2020's Impossible Weight, via the colossal indie imprint, ATO. It was a significant step up, and earned the band a groundswell of exposure and a spot on Billboard charts. But the success caused Dobson to doubt her impulses, to wonder what an idea's impact or reception might be as much the strength of the idea itself. Moments of domestic creation, with her at the piano and Mansen on guitar in their Seattle living room, forged a path forward, and reinvigorated the pair's songwriting partnership. From end to end, the material on Billboard Heart is astonishing. The title track is the one song Deep Sea Diver actually finished in Los Angeles. It's a radiant and magnificent thing, the billowing synths of Elliot Jackson and tunneling pedal steel of Greg Leisz bolstering an anthem for fearlessly advancing into the future. "Emergency" links hardcore's vim to electroclash's instant allure with Dobson's captivating vocals and guitar work in the spotlight. Tender and vulnerable, "Tiny Threads" is a sweeping anthem for anyone trying to hold anything together-life, love, themselves. "If it haunts me, let it haunt me," Dobson sings softly over a stillness framed only by bass and noise. She let's her guitar careen into feedback, then steadily sculpts it into something tuneful. It's a lifetime of anxiety and sublimation, crystallized into 10 seconds. Billboard Heart feels that way at large.Billboard Heart emerged when Dobson trusted her instincts, a personal breakthrough that prompted an artistic one. It is, in turn, the best Deep Sea Diver album yet, a defiant and brilliant exclamation mark at the end of a long period of wandering.

Jason Isbell and the 400 Unit follow up 2018's Live from the Ryman with a second volume of live recordings from their annual residency at The Ryman Auditorium in Nashville, TN. Live from the Ryman Vol. 2 features favorites from Weathervanes and Reunions recorded in 202 & 2023 as well as "The Last Song I Will Write" (2019) and a cover of Tom Petty's "Room at the Top" (2017).

Nick Cave & The Bad Seeds return with new album, Wild God. Across the ten tracks of the album, the band dance between convention and experimentation, taking left-turns and detours that heighten the rich imagery and emotion in Cave's soul-stirring narratives. It is the sound of a group emboldened by reconnection and taking flight. There are moments that touch fondly upon the Bad Seeds' past but they are fleeting, and serve only to imbue the relentless and restless forward motion of the band. Produced by Cave and Warren Ellis, and mixed by David Fridmann, Cave began writing the album in 2023. With sessions at Miraval in Provence and Soundtree in London, the Bad Seeds added their unique alchemy, with additional performances from Colin Greenwood (bass) and Luis Almau (nylon string guitar, acoustic guitar). "Wild God... there's no fucking around with this record. When it hits, it hits. It lifts you. It moves you. I love that about it," says Nick Cave.

Megan's 3rd Studio self-titled album MEGAN. Album features Glorilla, Victoria Monet, Kyle Ricch, and the reunion of UGK amongst others.

Following Wilco’s acclaimed 2023 album Cousin, Wilco revisited unfinished material from these sessions to craft ‘Hot Sun Cool Shroud’. Collaborating again with engineering mixer Tom Schick, the band crafted six tracks that expand on the sound of Cousin. According to Jeff Tweedy, they have “a summertime-after-dark kind of feeling. It starts off pretty hot, like heat during the day, has some instrumentals on it that are a little agitated and uncomfortable, and ends with a cooling breeze.”

“You have to see them in concert,” is what fans of The National have been preaching for years. “The songs transform. It’s a whole other level.” Recorded live (without overdubs) in June 2024 at an architecturally stunning venue named for famed Italian film composer Ennio Morricone, Rome is the definitive live document of The National. The 21-track double album is truly career spanning, and showcases scintillating versions of beloved songs like “Bloodbuzz Ohio,” “Don’t Swallow the Cap,” “I Need My Girl,” “The System Only Dreams in Total Darkness,” “England” and “Fake Empire”; plus sharpened readings of recent tracks “Eucalyptus,” “New Order T-Shirt,” “Tropic Morning News” and the boundary-pushing “Smoke Detector.” The National’s setlist changes significantly show to show, revisiting their 25-year catalog to cast fresh light on hidden gems. For Rome that includes the show opener “Runaway,” “Lemonworld,” “The Geese of Beverly Road,” “Lit Up” and a tour de force pairing of “Humiliation” from their critically acclaimed album Trouble Will Find Me into Sad Songs For Dirty Lovers’ “Murder Me Rachael.” The Rome encore features the election anthem “Mr. November,” and, from High Violet, “Terrible Love” and the show-closing fan singalong, “Vanderlyle Crybaby Geeks.” The live album was mixed by the band’s longtime collaborator Peter Katis. Reviewing a National performance this summer, NME wrote that “every song is played like it could be the last.” Rome captures that playing-for-keeps urgency on record and serves not merely as a concert souvenir but the latest vital addition to the band’s peerless catalog.

Beyoncé - Cowboy Carter - Country Vinyl LP

Taylor Swift - "THE TORTURED POETS DEPARTMENT" [Ghosted White 2 LP] - Taylor Swift/Republic Records; Pop EXPLICIT

‘Dua Lipa Live From The Royal Albert Hall’ features Dua’s greatest hits reimagined with The Heritage Orchestra, and a 14 person choir and 7 piece band. With spot gloss text detailing and a special die cut front cover, fans are able to swap the main album cover to one of 3 other images from the special show.

Double vinyl LP pressing. Back in print for the first time in over 20 years, the compilation assembles more than two hours of hard to find and unreleased Yo La Tengo music from 1988 - 1995. Some reflections on the material, excerpted from Ira Kaplan's original 'Genius + Love = Yo La Tengo' liner notes.

Ringo Starr releases a brand-new country music album, Look Up, produced and co-written by T Bone Burnett via Lost Highway Records. This stunning collection features 11 original songs, recorded this year in Nashville and Los Angeles. This album features Billy Strings, Molly Tuttle, Lucius, Larkin Poe, and Alison Krauss.

The War On Drugs, “one of the premier live bands of their generation” (Pitchfork), announce Live Drugs Again, via Super High Quality Records and Transgressive / Canvasback. In support of Live Drugs Again, the band will kick off their Zen Diagram North American co-headline tour with The National, with support from Lucius, on September 12th. Recorded on tour between February 2022 through December 2023 in America, UK, Europe and Australia, Live Drugs Again follows 2020’s Live Drugs and represents The War On Drugs at their ragged, righteous best. Bandleader Adam Granduciel comments, “Live Drugs Again chronicles the evolution of these songs from the studio to stages all over the world; documenting our continued growth as a live band. This series ensures that these versions, and some of our favorite moments on stage, will live on.” As Consequence so accurately hailed, “it’s hard to imagine a musical experience that’s more enveloping and uplifting.” This is hearing a band at its peak.